sherry x. chou

︎︎︎publications    about me ︎ ︎︎︎branding ︎ resume
︎︎︎posters    linkedin ︎
︎︎︎web
︎︎︎3d

sherry xu chou

i like setting things in lowercase

︎︎︎ publications
︎︎︎ asian//american
︎︎︎ diaspora diaries
︎︎︎ sparkle
︎︎︎ take this!
︎︎︎ abc
︎︎︎ the art & animation
of hayao miyazaki
︎︎︎ repairing greenville
︎︎︎ cca’s mfa design
thesis yearbook
︎︎︎ skillet zine
︎︎︎ metamorphosis
︎︎︎ icon
︎︎︎ di(c)e
︎︎︎ recipes for disaster
︎︎︎ exhibitions
︎︎︎ varietype II
︎︎︎ good luck 2025
︎︎︎ hybrid editions

︎︎︎ branding
︎︎︎ lemon leather
︎︎︎ 2290
︎︎︎ qms
︎︎︎ alg

︎︎︎ web
︎︎︎ skillet
︎︎︎ di(c)e

︎︎︎ thesis
︎︎︎ the thesis book
︎︎︎ the alphabet book
︎︎︎ the metamorphosis book
︎︎︎ the material samples
︎︎︎ the costume
︎︎︎ the staff
︎︎︎ the posters

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about me
photography

︎ email
︎ linkedin
︎ resume
︎ instagram

diaspora diaries

(thank you, enjoy)

my thoughts and feelings as a chinese-american designer on the existence and usage of the notorious “wonton font” after reading paul shaw’s 2009 article “stereo types.” the dimenions, the paper choice, and the overall aesthetics of the zine are inspired by a chinese takeout menu.

zine
publication design
typography
typesetting
bookbinding